How to Get a Book Deal
(Without Losing Your Mind in the Process)

 
Recent update: October 7, 2025
First published:  October 7, 2025 
This post is regularly updated with new information.

Every writer dreams of seeing their book in print. But when you finally decide to pursue publication, the next question hits hard: How do I actually get a book deal?

Do you write the whole thing first? Do you query agents? Do you need a massive platform before you even start?

I’ve heard every version of those questions from people at every stage. And after years of working behind the scenes in publishing, and helping hundreds of first-time authors land deals or launch independently, I can tell you this:

Getting a book deal isn’t about luck or connections. It’s about clarity, preparation, and timing.

Common Myths About Getting a Book Deal

Let’s debunk a few misconceptions I hear all the time:

Myth #1: You need a massive social media following.
No. You need an engaged audience that cares about your topic. Quality beats quantity.

Myth #2: If you self-publish first, you can’t get a traditional deal.
False. Many indie authors secure traditional contracts once they demonstrate strong sales.

Myth #3: Agents only want celebrities.
Agents want marketable ideas, not famous names. A sharp concept wins every time.

Myth #4: You should wait until your book is perfect.
Perfection kills momentum. Clarity and progress matter more.

The 3 Ps of Getting Published

When I teach authors how to get published, I break it into three simple phases, what I call the 3 Ps:

1. Pitching your book -- crafting your proposal, query, and agent strategy.

2. Publishing your book -- navigating contracts, editing, and launch prep.

3. Promoting your book -- sustaining your momentum long after release.

Each phase feeds the next. You pitch to publish, you publish to promote, and every promotion builds the foundation for your next pitch.

Let’s start with the one that determines everything else: the pitch.

Step 1: Pitching Your Book

Here’s a truth most first-time authors don’t realize: if you’re writing nonfiction, you don’t sell a manuscript. You sell a proposal.

A book proposal is the publishing-world version of a business plan. It tells agents and editors why your book matters, who it’s for, and why you are the right person to write it.

The biggest mistake you can make is to write the entire book before writing the proposal.

I say that all the time because it’s true. The proposal gives you clarity about your concept, your reader, and your strategy before you spend months or years writing something that may never fit the market.

What Goes Inside a Book Proposal

A strong nonfiction proposal typically includes:

• Overview: The high-level pitch and “why now”
  
• Market / Audience: Who your book is for (and how big that audience is)
  
• Author Bio: What makes you credible and relatable?
  
• Competitive Titles (Comps): Recently successful books your readers already love
  
• Marketing Plan: How you’ll promote your book with your own assets and reach
  
• Annotated Table of Contents + Chapter Summaries: The roadmap of your ideas
  
• Two Sample Chapters: One from the beginning and one from the middle
  

That’s the foundation. But let’s make it real with a few examples.

Why this works: It’s clear, specific, and positioned to a proven market. Readers of books like Big Magic or The War of Art. It also makes the author’s expertise and credibility immediately obvious.

If you need help crafting your entire proposal and query letter, and finding the right agents and publishers for your book, I share all my methods and tools in my Book Deal Blueprint, it is the same system I use with private clients.

Why this works: The Table of Contents shows structure and flow, the “reader journey” publishers want to see.

Finding and Working With an Agent

Once your proposal and query are polished, it’s time to find your champions: literary agents.

Agents work entirely on commission; they only get paid when you do, so they’re selective. But that also means once they’re on board, they’re fully invested in your success.

A great agent will:

• Pitch your proposal to editors.
  
• Negotiate your contract.
  
• Help shape your positioning and next steps.
  
  

When I guide clients through this stage, I recommend making a list of 40 agents who represent similar titles. Check acknowledgment sections of your favorite books, browse Publishers Marketplace, or read agent “wish lists” on ManuscriptWishlist.com.

And please, query in batches. I like to query 11 agents within a 2-day period because that gives all the agents a starting timeline. However, this is because my clients get agent interest in their first round of querying. But you can also start smaller by sending 5 at a time, learn from any feedback or rejections, or silence, and refine your pitch before sending the next round.

Putting It All Together

Getting a book deal isn’t about insider access. It’s about knowing what agents and publishers want to see, packaging your idea strategically, and staying consistent.

Here’s the process I teach every client:

1. Create Your Book Proposal. Define why your book matters now.

2. Prep Your Query Letter. Write one pitch that opens doors.

3. Find the Right Agents and Publishers. Build your list and start reaching out.

You don’t need to become an expert in publishing  you just need a roadmap that works.

Start by downloading How to Get a Book Deal – Step-by-Step Guide . It’s free, and it’ll save you months of trial and error.

Because your book doesn’t belong in a drawer.
It belongs in readers’ hands.